It is easy to for derive how far our society has come in the last hundred years in recognizing the equality of mishandle ensemble people. Often when we take a look into the former(prenominal) what we consume is very shocking. Such is the case in a razz House by Henrik Ibsen. here(predicate) we date Nora presented as a victim of her father and male dominated society; farther she also plays the role of victimizer against her husband, family, and friends. As Nora takes both sides of the grapple we see how she is forced into both roles. Nora plays with Dr. Ranks emotions; though by accident, she does so more than she had intended. Nora becomes desperate for money at one pull down and intends to use her sex appeal and subtle charm to thwart some from Dr. Rank. Nora is in the process of flirting with the doctor when he confesses that his cut to her when he tells her his body and soul are at [her] command (Ibsen 358). Seeing that her flirtation would be taken a good deal more seriously than she anticipated she does decide not to pass up on the matter further. Nora plays victimizer to her husband and children as surface. The least explicit is her children. As we read the play the oecumenical feeling is love and devotion for her offspring.

Nora makes sure they are well dressed and plays with them often. In this abundance of love we also see the problem. Nora is preparing her children to become the equivalent doll she was raised to become. We see this when she mentions the things she bought them for Christmas at the beginning of the story. Here a horse and trumpet for Bob. And a doll and a dolls bed here for Emmy; (Ibsen 333). ! She has purchased toys... If you want to stupefy a profuse essay, order it on our website:
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